ARTISTS
Casey Kaplan is presenting Igshaan Adams’ third solo exhibition, Verkenning, translating from Afrikaans as “to explore or the process of gaining knowledge.”
Thomas Erben is presenting New Works by Dona Nelson and Andrew Ross.
Pangolin London presents Telltale Forms, a solo exhibition by the ever-inventive sculptor Jon Buck.
The National Gallery’s new main entrance reopened to the public on Saturday 10 May 2025, as part of the Gallery’s 200th birthday celebrations.
Iceland Design and Architecture opened Lavaforming, Iceland’s presentation in its national pavilion at the 19th International Architecture Exhibition – La Biennale di Venezia.
Coinciding with the artist’s career retrospective at the San Francisco Museum of Modern Art (SFMOMA).
The Sonoma Valley Museum of Art is presenting a retrospective of the work of Nancy Genn.
Room 34 of the National Gallery will be named as Blavatnik Family Foundation Room in recognition of its significant gift to NG200.
In The Shape of Colour, Waddington Custot presents a visually arresting group exhibition that explores how colour behaves when it’s no longer confined to the picture plane.
Since its founding in 2005, the Museum of Modern Art in Warsaw (Muzeum Sztuki Nowoczesnej, or MSN) has been a hub of ambitious programming, initially operating from a former furniture store before moving to a pavilion on the bank of the capital’s Vistula River.
Barbara T. Smith, one of Los Angeles’s most persistently experimental and spiritually intrepid artists, receives a long-overdue focus on her earliest forays into machine-based artmaking at the Marciano Art Foundation Library.
Frieze New York 2025 closed with a familiar blend of glamour, market zeal, and curatorial earnestness, staged this year once again at The Shed.
The Brotherhood of New Blockheads was a Saint Petersburg-based performance collective active from 1996 to 2002.
Photo London celebrates its tenth anniversary from 14–18 May 2025 at Somerset House.
There is an injunction, demanded by the popular imaginary, for clarity in visual art (as well as writing and films)—we want to know what a creation means.