Remember Something Out of Time, the celebrated Houston artist Dorothy Hood’s solo show at Hollis Taggart in New York gives viewers a chance to delve into Hood’s layered work.

“I always wanted to be an artist, but my parents said no,” the 66-year-old tells me. “I wasn’t smart enough to be an accountant and I certainly wasn’t that interested.

The 21st Century Museum of Contemporary Art, Kanazawa recently celebrated two decades of expansion marked by a narrowly focused curatorial vision shaped by both place and taste.

Not many people expect to find Antonio Banderas in Tokyo. But there he is, or at least there he is on a screen, in ‘Crafted World’, an exhibition mounted by Loewe in Japan to tell the fashion house’s story of craft.

In the late 1990s, the painter David Salle (b. 1952) chanced upon an old opera backdrop painted with a sentimental Alpine landscape and found himself immediately drawn to it.

At the National Gallery, Munch’s Man with horse 1918 joins Jackson Pollock’s Blue poles in marking a defining moment for the national collection and Australia’s cultural heritage.

he Cleveland Museum of Art (CMA) announced that the monumental ancient Greco-Roman bronze statue of a standing draped male figure, acquired by the museum in 1986, will be displayed in the CMA’s Monte and Usha Ahuja Founders Rotunda beginning April 8.

The British artist decried as “truly the worst” by President Donald Trump, after he deemed the portrait she painted of him as “purposefully distorted,” has said the criticism is threatening her livelihood.

During her childhood, Paola Grizi would often watch her aunt working with clay. In those moments, Grizi followed her aunt’s hands as they coaxed out the forms of small sculptures, sparking her own fascination with the medium.

Over 40 artists explore the layered meanings of travel, displacement, and hospitality in this ambitious group exhibition.

In his most recent exhibition, The Serpent, David Altmejd constructs a visionary cosmology where matter, myth, and mind coalesce in an ongoing process of metamorphosis.

The relationship between figurative and abstract art is almost as old as art itself. Artists and art movements take a position but also can blur the boundaries and delve into the nuances, as we see in three recently opened exhibits in Atlanta.

Usha Seejarim’s latest solo exhibition, ‘Unfolding Servitude’, currently on show at Southern Guild in Cape Town, is an intensive interrogation of domesticity, gender roles, and the quiet, often invisible labour that defines everyday feminine existence.

In his solo show “We Are Our People,” currently on view at Goldfinch, Locks explores the method as the basis for mixed-media works that feel both pessimistic and urgent.

In "Impersonal Unity Tools" at Bortolami, the Mexican artist challenges the canon of Western painting to explore the psychology of the ideologies embedded in materials and methods of presentation.