Pace is presenting Robert Indiana: The American Dream, a major exhibition including seminal examples of paintings and sculpture created by the artist beginning in the early 1960s and developed throughout subsequent decades of his artistic career.
A long-overlooked voice in postwar American art, Robert Huot (b. 1935) is receiving renewed attention for his radical redefinition of painting in the 1960s.
The grande dame of the city’s museums, the Metropolitan is overwhelming. The museum is best enjoyed in small bites, if you are able to make repeat visits.
In his artistic practice, Daniel Arsham doesn’t like to limit himself. Whether it be his intricate paintings, surreal installations, or unexpected works of architecture, the New York-based artist moves within and beyond specific media.
At the Distillery Gallery and No Call No Show, curator Yi Cynthia Chen stages a defiant, expansive vision of Asian American and Asian-diasporic identity, foregrounding difference as not a gap but as a generative force.
In a world dominated by climate crisis, trees matter. Gregory Bryda’s The Trees of the Cross: Wood as Subject and Medium in the Art of Late Medieval Germany lends historical perspective to our understanding of trees and what they mean to humanity.
The sets of Wes Anderson's new film, 'The Phoenician Scheme,' were crafted in Berlin's iconic Studio Babelsberg. True to form, Anderson unleashed his extravagance and obsession with detail. His singular aesthetic is the focus of an exhibition at Paris's Cinémathèque française.
The French-Italian artist, currently featured in a major exhibition at Palazzo Grassi in Venice, works in a former parquet factory in Montreuil, a suburb of Paris.
In the mid-19th century, Japanese ports were suddenly opened up to international trade, and Europeans went crazy for Japanese culture and art, especially woodblock prints.