Olivier Babin tells The Art Newspaper that high overhead costs and the market slowdown made the business unsalvageable.

Staring in September 2026, the contemporary art exhibition will tour five UK cities including Swansea and Sheffield.

King James’s lusty entourage, a glass-puppet kick up the Crusades and sublime recliners from Philadelphia … this year’s thrilling festival has splendour, passion and plenty of strangeness.

The artist has been collaborating with the rock group’s frontman Thom Yorke on their distinctive visuals since the mid-90s.

Richard E. Spear, an art historian and longtime partner of the artist Athena Tacha, strives to preserve her works in the face of her failing health.

Last week in Aspen, art by Shepard Fairey appeared across town.

Art as Afterimage: The Emotional Architecture of Flood-Molyneux’s Practice.

“Queer things do differ from the divine average of mediocrity.”

Saïdou Dicko is self-taught multimedia artist, born in Burkina Faso in 1979. Now based in Paris, he can trace his creative impulse back to his early years – as a shepherd in the Sahel region of Africa, where he started drawing by tracing the shadows of sheep in the sand.

Contemporary human experience stretches beyond what we can fully grasp.

London’s streets have long been a battleground for visual dissent, but few have weaponised pop iconography as precisely as Dean Stockton, better known as D*Face.

What if we entered the intimate as we visit a museum or a dream? A room becomes manifest, a mirror reveals a soul, a record disrupts reality, a film questions desire, a place heals through the elements.

Artists might starve during their lifetimes, but when they shuffle off this mortal coil, their work becomes more valuable, right? Wrong.

The Smithsonian’s National Museum of the American Indian in New York will host the traveling exhibition “Clearly Indigenous: Native Visions Reimagined in Glass,” Nov. 15 through May 29, 2026.

In our culture preoccupied with outward appearances, Dianne Minnicucci explores how vulnerability and discomfort in front of the camera can become acts of self-discovery and collaboration.