In February 2020, curator and gallery director Kathy Huang met artist Dominique Fung—a month before the COVID-19 pandemic shut everything down.

In an iconic 1979 episode of Saturday Night Live, Steve Martin and Bill Murray shuffle onstage dressed like tourists.

This is an impressive debut exhibition for the new Mayfair gallery Ames Yvuz. A wall of crowns features 56 crowns, made from cooking oil canisters, representing the 56 members of the commonwealth and the wealth disparity within it.

At Schinkel Pavillon, Berlin, the artist’s unsettling works examine voicelessness as both sanctuary and sentence.

At Tanya Bonakdar Gallery, New York, the artist’s latest exhibition posits a new method for performing.

Created in 1881, the work 'Basket with Peaches and Grapes' will be the focus of an appeal procedure in Paris on Thursday in the criminal proceedings of a 30-year-old inheritance case.

In-depth research is a vital component of long-term photographic essays and an essential part of my artistic practice.

Marking the artist’s first institutional solo exhibition in Canada, the exhibition features a new film by the same name: “An Impossible Address”, the 10th project developed through Mercer Union’s trailblazing Artist First commissioning platform.

Tina Nordén is a Swedish artist based near Stockholm, who combines a minimalist, textural aesthetic with a warm, contemplative presence.

Art venues in Austin and San Antonio have announced exhibitions opening this Summer.

Yuichi Hirako presents a large-scale installation at The Modern Institute in Glasgow, comprising acrylic paintings and wooden sculptures across Aird’s Lane and the Bricks Space.

The Riggio and Bass collections, a selection from Tiqui Atencio & Ago Demirdjian and a record-breaking Dumas headline Christie’s May marquee week.

There’s something deeply satisfying about watching an artist double back on their own practice—not to rehash or reheat it, but to see what might remain unsaid in the spaces between forms already spoken.

We asked Paul Perrin of the Musée d’Orsay and art historian Jonathan Katz why this was a radical act in 19th-century France.

Emerging and established voices shaping the future of art.