Born in Brisbane in 1991, Sancintya Mohini Simpson is an artist and researcher whose work recontextualizes the colonial history of Indian indentured labor in the South African province of Natal—now KwaZulu-Natal—from 1860 to 1911.

Paula Modersohn-Becker: I am Me was the first American retrospective of the artist and as such, marked Modersohn-Becker’s ascending renown on this side of the Atlantic.

Eva Smith is a mixed-media artist, Naturalist, and lichen enthusiast. She paints and photographs surreal landscapes influenced by her work as an arborist and a steward of Chicagoland forest preserves.

Although Caspar David Friedrich is today thought of as a painter of oil on canvas, he returned continually throughout his life to paper and ink, making sepia-toned works of precise penwork that treat delicately his great subject, the natural landscape of his native Germany.

Anne Katrine Senstad is a multi-disciplinary Norwegian artist based between New York and Oslo.

PNC’s ability to bring local contemporary artists directly to the Orioles cultivates a sense of hometown pride and community.

Tavares Strachan’s Starless Midnight at Marian Goodman Gallery is an ambitious, deeply layered exhibition that transforms history, science, and personal mythology into an immersive experience.

Welcome to yet another new gallery and curatorial space in Chicago.

Until May 4, VCRB Gallery in Antwerp is showcasing the first solo exhibition by the Lithuanian painter Victor Paukstelis in Antwerp. The artist is best known for his large-scale, monochromatic paintings that reinterpret iconic imagery from art history.

The title of Christine Sun Kim’s lecture, “Deaf Death,” which I saw recently at The Whitney Museum, is sort of a joke.

Jim Richardson had a distinguished career making images for National Geographic Magazine stories on cultural, environmental and scientific issues. His work on the Flint Hills introduced the uniquely American landscape to an international audience.

The Union of Maine Visual Artists (UMVA) presents “Washed Away,” an exhibition of work by 60 artists that addresses change from environmental and personal perspectives as accelerated changes impact the world as we know — or used to — know it.

The history of Atelier 35 was written with many beginnings. The more attempts to recover a subject, the more complex are the next initiatives.

Joel-Peter Witkin is one of the greatest exponents of contemporary photography: solitary, exaggerated, macabre, disturbing, rhetorical, visionary, cynical, redundant, grotesque, extremely refined.

Could Marina Abramović be the wellness guru we needed all along? It could have been Gwyneth Paltrow, she of the jade eggs and bone broths and chugging Mountain Valley water, who seemed, for a while, like the prophet we were promised.