Bianca Bondi transforms the halls and courtyard of the 18th-century Palazzo Chigi Zondadari in Siena into a dynamic intertwining of organic and inorganic forms in constant flux.
In Charades, the artist’s second solo exhibition with the gallery, Simnett delves into the fluid boundaries between individual and collective behavior in new works that explore.
“That Which Carried Me” explores shelter as a multifaceted concept – a physical structure, an emotional anchor, a collective act, and a place for both the temporary and the permanent.
From Basel to Mayfair, the Taipei‑based veteran gallery bridges overlooked histories with evolving conversations within Asian modern and contemporary art.
Carnival, a new group show curated by acclaimed performer and painter Joe Coleman, is currently on view at Jeffrey Deitch’s Wooster Street Gallery in New York.
Three well-attended museum exhibitions in San Francisco flag a subtle shift from the current drumbeat of art thrown together in protest to a timeless aesthetic freed from agendas and concerns for diversity, equality, and strife to ravish the eye and stir the heart.
Beginning January 1, 2026, major French museums—including the Louvre and the Château de Versailles—will charge non-European Union visitors €30 (about $35), up from €22 ($25), according to Le Monde.
PF25 cultural projects is delighted to present To Sleep and Wake Unafraid, Oscar Chan Yik-long’s first solo presentation in Switzerland and the opening chapter of his two-part solo exhibition series, unfolding across Basel and Vilnius in 2025.
A rediscovered Auguste Rodin marble sculpture, kept in plain sight for decades atop a piano in a French family home, has fetched €1.1 million ($1.2 million) at auction last weekend.
Royal Academy of Art, LondonWith an extraordinary painting by Emin, great works by Cindy Sherman, Cornelia Parker and Sean Scully, assisted by some perving from Allen Jones, this annual jamboree has returned to relevance.
Gustave Courbet, the enfant terrible of French 19th-century art, did everything he could to save himself in the memory of the contemporary art critics.