Margaret began her exploration of color and movement in acrylic painting in 2000 while studying at culinary school in Vermont.

In the mid-1980s, Sheree Rose, a photographer and dominatrix, instructed her partner Bob Flanagan to keep a journal of their sex life for one year.

On April 15, 2025, “Transience”: Zhang Yanzi Art Exhibition, chaired by the academic Fan Di’an, Chairman of the China Artists Association, and curated by Ji Shaofeng, was grandly unveiled at Hubei Museum of Art.

Two unmade single beds are moving restlessly.

Tate Britain is celebrating the 250th birthday of renowned painter JMW Turner. To mark the anniversary, a new room showcasing his watercolours and drawings has just opened, part of the gallery’s permanent free display of over 100 works by Turner.

In this major retrospective, the viewer is like an avatar navigating the humans – real and CGI – that populate Atkins’ world of existential dread.

Beyond the Photograph is a Lenscratch monthly series dedicated to helping photographers grow their artistic practices beyond the camera. Capturing images is just one small part of a photographer’s journey.

Today, to remember is to look at a photograph. Amid the impulse to capture “the moment” and technology’s interruptive prompts for nostalgia, photos have become proof of truth even when accompanying recollections have long since evaporated.

Galerie Max Hetzler, London, is presenting California Landscapes, a solo exhibition of new paintings and works on paper by Jake Longstreth.

Adolf Wölfli is now known alongside the label “Outsider Art” or Art Brut, a term Jean Dubuffet coined in 1945 to bring attention to artworks created by self-taught artists and social outcasts.

A New York Supreme Court judge determined that the “Russian War Prisoner” watercolor had been stolen by Nazis from Fritz Grünbaum before the start of World War II.

The New Museum today announced that Klára Hosnedlová will create a site-specific commission for the Museum’s new Atrium Stair as part of the New Museum’s reopening exhibition program.

Echoes is a meditation. The exhibition invites us into a space where symbols reverberate across time and evolve in unexpected ways.

With a program of studio visits and public talks, Ruder hopes to engage new audiences—particularly the city's young professionals entering the collector class.

"If Books Could Kill" reveals the deadly history of manuscript production and the impact on bookmakers’—and readers'—health.