Asia Week New York–the only event of its kind devoted to Asian Art in the United States– concluded its 16th edition on March 21st with a triumphant close.

“It is with great enthusiasm that I embrace the privilege of presiding over an institution of such significance in the Italian and international cultural landscape”, stated Emanuela Bruni.

The Art Institute of Chicago announced En el principio / In the beginning: Juliana Góngora Rojas, Matías Quintero Sepúlveda, Juven Piranga Valencia, and Yinela Piranga Valencia, which will be on view March 29–July 28, 2025.

The 56th edition of the Rencontres d'Arles, the world-renowned photography festival, is set to take place from July 7 to October 5, 2025, in Arles, France.

SURF! has opened this week at National Maritime Museum Cornwall - a major new exhibition exploring the history and cultural impact of surfing in Cornwall.

The Clyfford Still Museum’s (CSM) new guest-curated exhibition, Held Impermanence (Artists Select: Katherine Simóne Reynolds), illuminates multiple competing desires held in constant tension within the Museum.

In 2025, the Museums of Marseille invite the artist Laure Prouvost.

“In this new body of work, José Villalobos addresses the ongoing threat to the protections and visibility of the LGBTQ+ and Latinx communities through photo portraits on silk, documented performance-based art, and sculpture.”

"In terms of concealment, I was curious about how we would read these figures under such terms. When we are not privy to their thoughts and actions.

Monya Rowe Gallery is pleased to announce a solo exhibition of new paintings by Larissa Bates titled Outside/Inside.

François Ghebaly is proud to present Animal Triste, Cindy Ji Hye Kim’s third exhibition at the gallery. In the centuries before the widespread adoption of the Gregorian calendar, agrarian societies in Western Europe represented time as infused with the cycles of nature.

Everything you need to know about the most important headlines from the world of art in the last seven days

In "Vapors" at Perrotin Hong Kong, her densely layered canvases depict desolate and distorted yet luminous terrains that grapple with an ecological crisis born of humanity’s lopsided relationship with nature.

The inaugural Future Perfect Prize winner creates sculptures woven from clay in a process that reclaims both her own heritage and her grandmother’s legacy.

Early sales suggest Brazil’s art scene is thriving despite a punitive tax system and global headwinds.