Almine Rech is presenting Shizen, the first commercial exhibition of paintings by the highly acclaimed Asian artist Lou Zhenggang in Europe.

Hauser & Wirth opened the second edition of Invite(s) in Paris, organized with Olivier Renaud-Clément. This new invitation spotlights Carlotta Amanzi in an exhibition produced in collaboration with Lo Brutto Stahl and featuring a text by Paul Olivennes.

While We Count Our Earthquakes is the first solo exhibition in Belgium by internationally renowned Palestinian-Danish artist Larissa Sansour.

Sculptor, photographer, and master of artistic staging, rival to Auguste Rodin and a role model for numerous artists: around 1900, Medardo Rosso (1858 in Turin, Italy 1928 in Milan, Italy) revolutionized sculpture.

The Madonna, the Virgin Mary of the Christian faith, is perhaps the most painted woman in all of art history.

The acacia is a plant with great symbolic value, also mentioned in the Bible as it is connected to Master Hiram’s personal life.

Linder Sterling confronts patriarchal ideas of gender and sexuality in her first retrospective in Scotland, while Jeremy Deller invites you to a collaborative punk performance in Dundee.

Right now, the largest survey ever mounted of the great abstract artist Jack Whitten is on view at the Museum of Modern Art in New York.

Spanning works across five decades, RicanVisions: Global Ancestralities and Embodied Futures is a Diasporican (pertaining to the Puerto Rican diaspora) reading of some of society’s most central challenges throughout the turn of the century.

Ömer Uluç’s groundbreaking exhibition at Istanbul Modern unveils a world where art, movement and transformation converge in dynamic, boundary-pushing creations.

In her recent exhibition at Magenta Plains, Ebecho Muslimova stretches the world around her recurring protagonist “Fatebe,” granting her new kinds of architecture and absurdities to explore.

A huge painting by Mark Rothko, thought to be worth tens of millions of dollars, has been removed from display in a Dutch museum after it was damaged by a visiting child.

María Magdalena Campos-Pons by Tara Anne Dalbow The body is an archive.

Following the retrospective dedicated to Hans Josephsohn’s work at the Musée d’Art Moderne de Paris last year – the artist’s first retrospective in France – Thaddaeus Ropac Paris Marais presents an exhibition retracing 50 years of the Swiss sculptor’s practice, from 1952 to 2002.

Gagosian opened an exhibition of recently rediscovered photographs by Paul McCartney—including some previously unseen—at its gallery in Beverly Hills.