More than a thousand items have been donated to what organisers say is the largest-ever exhibition of the UK's hobbies.

When the National Galleries of Scotland first approached Andy Goldsworthy about a show to mark his 50th year as an artist, they expected him to focus on one of their outdoor spaces.

The Tate Modern has announced it will extend its weekend opening hours in the autumn.

Artist Amy Sherald announced that she would be canceling her National Portrait Gallery show after learning that the museum was considering removing her Black transgender take on the Statue of Liberty from “American Sublime.”

The Nottingham-based photographer was in Tokyo when he spotted this graphic combination of shadow and light

Debsuddha (Kolkata, 1989) is a photographer who has a clear idea about the role of photography today.

Thirteen women artists from Bexar County have been selected to receive Luminaria’s Spring 2025 Working Artist Fund for Women grants.

Ah, it feels good to be back! Yes, it’s been a few years since I’ve done a Big Show Top Ten, but wading into the sea of work that is Lawndale’s annual juried exhibition The Big Show felt like visiting an old friend.

It’s summertime and I’m headed out on a classic “American roadtrip” next week.

Street Macadam has announced the winners of the 2nd edition of the Macadam Awards, an international street and documentary photography competition open to photographers around the world.

Yorkshire Sculpture Park (YSP) presents The Pull of Gravity, a new landmark exhibition by the celebrated South African artist, William Kentridge.

During the summer months, Kristen Abbott likes to go on what she calls “leaf walks.”

Zorio’s production represents a continuum, with its roots in his first anti-form and post-Minimal, process-oriented sculptures from the mid-1960s. This show featured 11 works from six decades.

Chloë Sevigny, Spike Jonze, Amanda Lepore and Bill Strobeck feature in the photographer’s new book, which immortalises the beauty and freedom of the city that never sleeps in the years after 9/11.

As I approach the final room of ‘The Personal and The Political’ at Museum Folkwang, the corridors begin to swell with sound.