Paintings, sculptures and installations by an international lineup of artists, such as Antony Gormley, Cai Lei and Tu Hongtao, are displayed throughout the Tahota Center in the Tianfu New Area in Sichuan province.

In her first major U.S. institutional show, “The Ocean of One’s Pause,” the artist transforms the museum’s Marie-Josée and Henry Kravis Studio into a cinematic laboratory.

Tabish Khan, the @LondonArtCritic, picks his Top 5 art exhibitions to see in June. Check out the previous top 5 if you’re after more shows to visit.

KAWS has unveiled THERAPY, a solo exhibition at Galerie Max Hetzler, marking his first collaboration with the Berlin-based gallery.

“Paint is the Subject”, the first solo exhibition in Switzerland dedicated to Ed Clark, offers a long-overdue and in-depth look at a pioneering figure in postwar abstraction.

With her usual characteristic foresight, the artist addresses the ways in which technology and bureaucracy hollow out our humanity.

Julian Charrière’s solo exhibition Midnight Zone at the Museum Tinguely explores the intricate relationship between humans and the Earth’s water-dominated environment.

On a damp spring weekend, the central installation in Otobong Nkanga’s current exhibition “Each Seed A Body” (on view through August 17, 2025) initially reminded me of a modest stormwater management solution.

After its grand reopening in April, the Frick is putting on an exhibition comprising three paintings by Vermeer (18 June–31 August).

Jenny Saville is not usually thought of as a conceptual artist: her interest in figuration set her apart from her YBA contemporaries in the 1990s and early 2000s.

The Royal Academy of Art’s Summer Exhibition is the world’s oldest open-entry show.

Vija Celmins highlights the unearthly, alien aspects of our planet and our existence, looking everything from the natural world to material culture in rigorous, hyper-realistic paintings and drawings.

I began working on my The Journey, 2017-25, painting about eight years ago when I returned to the Yellow House Afghanistan after being in London with Julian Assange while the Archibald Documentary was being made.

Looking at a painting with words on it and mumbling them under your breath, just to taste the text and learn how it feels in the space beyond the surface of the work.

Michelle Kuo, Chief Curator at Large and Publisher at MoMA, reflects on bringing Whitten’s prophetic, genre-defying legacy into full focus – where spirit, struggle, and radical abstraction converge.