The New York Historical has acquired the archive of longtime New York Times fashion photographer Bill Cunningham.

Raymond Saunders, whose coruscant mixed-media assemblages drew from a variety of movements but stood apart from all of them with their burning sociopolitical undertones, died of pneumonia on July 19 in Oakland, California.

Emilie Duval: Landscapes of Digital Existences at Andrew Durham Gallery, Houston. Dates: June 21 – August 9, 2025.

When we think about collecting art, we often imagine a painting hanging on a wall. Rarely do we consider design — chairs, tables, objects we use every day — as part of that conversation.

The Contemporary Austin has announced the launch of comprehensive accessibility initiatives at both of its museum locations, the Jones Center downtown and Laguna Gloria.

Declarations of Freedom, presented by the National Juneteenth Museum at Fort Works Art, Fort Worth. Dates: June 12 – July 19, 2025.

Jot Fau’s la fin d’une lignée (the end of a lineage, all works 2025) is as intricately produced as custom-made bikers’ gloves.

One of the fundamental components of Roman Signer‘s artistic vocabulary is the kayak.

What does it mean to be a “world-builder”? This term is often used to describe artists, especially ones with innovative visual and conceptual vocabularies that create fictional alternatives to the world as it is.

María Isabel Rueda's artistic work has always stood out for how the oneiric, magical, spiritual, and supernatural are explored through various media without losing their poetic essence or mystery.

The Museu de Arte de São Paulo (MASP) opens Frans Krajcberg: Redescubrir el árbol (Frans Krajcberg: Rediscovering the Tree).

I was fortunate to acquire this wonderful painting by Salomon van Ruysdael at Christie’s, from the Ann and Gordon Getty Collection.

The 1940s are about as far back as the living can remember, yet no era could be more resistant to the warm glow of nostalgia.

Merriam-Webster defines a “dandy” as a man who gives exaggerated attention to his personal appearance.

At Corbett vs. Dempsey, Rosa Barba disavows analog nostalgia.