“I wasn’t going to check my sense of humor, my idea of color, at the door for a bunch of people who lived by theory alone,” Joyce Wieland said in a 1987 documentary of her life, Kay Armitage’s Artist on Fire.

The American philosopher Donna Haraway and late Italian architect and designer Italo Rota have been respectively awarded the ‘Golden Lion for Lifetime Achievement’.

In Delusions of Grandeur at the Wallace Collection in London, the British artist and ‘national treasure’ pokes fun at the artworld’s hierarchies of class and taste.

Some trends last longer than others, even in a fragmented art market. One of the most notable ones over the last year has been a spike in the market for François-Xavier.

As of today, S.M.A.K. presents a landmark survey of contemporary painting in Belgium, featuring the works of 74 artists born after 1970.

The Cantor is thrilled to present Todd Gray as the 2025 Ruth K. Franklin Lecture on the Arts of Africa, Oceania, and the Americas, in conjunction with the presentation of his work in the group exhibition Second Nature: Photography in the Age of the Anthropocene.

From Sunday, April 6, Palazzo Grassi and Punta della Dogana, the two museums of the Pinault Collection in Venice, present new solo exhibitions dedicated to artists Tatiana Trouvé and Thomas Schütte.

Standing at the crossroads between the American and European avant-gardes, Barbro Östlihn developed a unique painterly idiom that stands apart from established artistic movements.

Maeve Brennan: Records, the artist’s first solo exhibition in Asia, spans moving image, sculpture, works on paper, and printed matter.

The Museum of Fine Arts, Houston (MFAH) will debut Frida: The Making of an Icon, curated by Mari Carmen Ramírez in January 2026.

Julie Curtiss does this thing with painting in which she speaks of the contemporary political climate without a hint of an obvious visual to grasp onto for context.

In the case of Christine Schlegel’s artistic practice, it is not least the depth and complexity of the works themselves that make such clear categorizations virtually impossible, as Krista Bailie points out in her review of the artist’s recent retrospective in Cottbus.

Colonialism is under scrutiny as artists in this year’s TarraWarra Biennial unleash works of freedom, feminism and protest.

More than 50 historic lots acquired across many generations of the family of the Viscount Wimborne — from portraits to porcelain dinner services, silver and European furniture — are offered online until 9 April.

A major retrospective at SFMOMA explores Asawa’s ‘continuous form within form’, her tactile and social approach to artmaking and her deep ties to her Bay Area community.