In this conversation, Renata Cassiano Alvarez and I discuss how language forms the foundation of her artistic practice, shaping not only communication but her perception, identity, and material choices.

The Dallas Invitational Art Fair has announced the Modern Art Museum of Fort Worth’s acquisition of two pieces from the 2025 fair.

So not that we are all up-to-date on refreshing and refreshers of the life and times of Stipan Tadić, he is taking this style to Los Angeles and about Los Angeles in Diamonds and Rust, an upcoming solo show at James Fuentes' west coast outpost.

For her first solo show at Jeffrey Deitch, Los Angeles-based artist (and Juxtapoz favorite and past featured artist) Zoé Blue M. transports viewers into the world of a takkyu onsen—her name for a table tennis bathhouse.

In her third solo exhibition at pt. 2 Gallery, Los Angeles-based artist Molly Bounds invites viewers into a hazy terrain of memory, evidence, and misrecognition.

MARUANI MERCIER is proud to present Darkening Dusk, the inaugural solo exhibition of South African artist Kate Gottgens.

Drawing from found images, film stills, religious iconography and personal photographs, Marcus Leotaud’s new paintings focus on the twilight hour as a metaphor for the in-between.

Under the name A.A. Murakami, Alexander Groves and Azusa Murakami explore the boundaries between technology and nature, creating automated, technological works that are subject to the same physical laws – humidity, air turbulence, temperature – as our own bodies.

Thom Roberts is in his element as he weaves through the crowd, greeting friends and well-wishers with a hug, a tap on their head or by gently placing two fingers across their brow.

Inka Essenhigh’s latest exhibition, “The Greenhouse,” at Victoria Miro, presents a series of paintings that delve into the liminal spaces between the tangible and the imagined, the botanical and the anthropomorphic.

American history is imbued with conflict. Currently, we are struggling with the idea of who belongs in our shared past, who our heroes should be, and who is allowed to call themselves “American.”

Ping Pong Gintonería is delighted to present Reflections, a retrospective of the late artist Douglas Bland (1923-75).

A gray line circumscribes the gallery. At hip height, this line serves as the base for the artworks which hang on and above it.

The exhibition succeeds at offering an exploration of themes that resonate deeply within our contemporary landscape.

Running from 12 to 27 April 2025, “The Grace of East” exhibition pays homage to the enduring artistic heritage of Malaysia’s East Coast.