‘Frank Bowling. Collage,’ the artist’s first solo exhibition in France, explores collage as a conceptual tool and technique for Bowling’s practice and thinking.

The Grey Art Museum at New York University presents Anonymous Was A Woman: The First 25 Years, an exhibition celebrating recipients of the titular grant for mid-career women artists living and working in the United States.

In under two years, Vincent van Gogh made 26 portraits of members of a single family.

For his third solo show at Gallery Kamel Mennour and his first in the Matignon location, MLK transforms the space into a chimeric domestic set.

Tate welcomes recommendations made by a new Spoliation Advisory Panel report on Henry Gibbs’ Aeneas and his family fleeing Burning Troy.

Peering into the courtyard through the glass door at the rear of Spencer Brownstone Gallery.

In these houses, nothing dwells but nightmares. They were built by Leroy Johnson (1937–2022), who was employed in Philadelphia as a social worker and educator.

Between 1965 and 1966, François Rouan (b. 1943) developed tressage, a practice that has underpinned his painting for nearly six decades.

Stop looking at old images. That was the first command from the Cumaean Sibyl to Aeneas as he stood before the Temple of Apollo at Cumae.

Maria Taniguchi’s solo exhibition “body of work” traces her fascination with the ways that time and space can be structurally composed and emotively perceived through a weightless insinuation of materiality.

Matthew Brown is pleased to announce Flame of Vapor, a solo exhibition of new paintings and drawings by Los Angeles-based artist Kent O’Connor at the gallery’s New York location.

Early experiments in spirit-guided and automatic art contributed to the rise of abstract and visionary movements

Have you ever dreamed of becoming an artist but worried that you don’t have the talent? Then this article is for you! Please take a look at some of the weirdest, ugliest works from art history, and be reassured that we all have off days.

The artist’s bioart habitats eerily reflect human environments where sociopolitical and socioeconomic cultural conditions force the illusion of standardization as a natural state.

The exhibitions below, featuring such artists as Deborah-Joyce Holman and Luis Fernando Benedit, ask viewers to spend time with art that’s slower to reveal itself.