The Clark Art Institute announces its second outdoor sculpture exhibition, Ground/work 2025.

Andréhn-Schiptjenko announced representation of Sally von Rosen. Her first solo exhibition with the gallery will take place at the Stockholm gallery in early spring, 2026.

Other landmark shows of First Nation artists this summer include Duane Linklater at Camden Art Centre and Santiago Yahuarcani at the Whitworth.

This year’s biennial features almost 100 artists and “figures of interest” in a city-wide exploration of the tales we all tell and how they form us and our cultures.

Tate Modern, London The Indigenous Australian artist started painting as an old woman, making over 3,000 extraordinary works in just a few years. Emerging from a profound sense of place, they leave the viewer teetering with wonder.

In his first exhibition of paintings, the New York-based artist celebrates the vibrancy of Tangier while rediscovering a familiar creative outlet.

Discover Spencer Lewis’s bold new exhibition in Ibiza, where monumental paintings meet salt, sea, and light at Fundación La Nave Salinas.

Is destruction or disruption the only way to break free from standardized structures? In 1912, psychoanalyst Sabina Spielrein proposed a radical idea: destruction is not the opposite of creation, but its very engine.

Delicate blossoms, crafted from whisper-thin paper and tenderly mounted on slender wires, emerge within a nearly omnivoyant still life.

For his fifth exhibition at Galerie Chantal Crousel, Seth Price presents a new series of paintings that introduces enigmatic figures such as cosmic textures, botanical forms, and hand-drawn symbols.

If you’ve ever stood before a hulking sculpture and thought, “I wish I could take just a sliver of that home,” MSCHF has you covered.

Jill McLennon has injected a big dose of life force into the Austin arts scene with the opening of her new gallery space on West Fifth Street.

A landmark exhibition for the Aboriginal artist Emily Kam Kngwarray delivers on the hype, by ending with a total knockout.

The 11th-century work is fundamental to our national story. Expect mile-long queues when it reaches the British Museum.

For New York-based grillz artist and sculptor Masahiro LaMarsh, metal isn’t just material—it’s a vessel for memory, identity, and history.