“There were sex parties, there were drug parties, there were dance parties—it’s hard to narrow down,” remembers the photographer Christopher Makos.

Many people know Amy Sherald as the artist whose commissioned 2018 portrait of Michelle Obama launched her into overnight art-world stardom.

A huge retrospective gives the authorised version of this prolific artist’s career.

An exhibition of drawings, sketches and paintings by MTV Acharya, illustrator of children’s magazine Chandamama, is currently underway.

The late Jaune Quick-to-See Smith’s final curatorial salvo — the largest show of Native American art to date — carries an elegiac weight, but also thrums with life.

After just piublishing the announcement of her representation by Stephen Friedman we bring news of Jaune Quick-to See Smith’s first posthumous exhibition in a public institution.

What do we think of when we ponder the Victorian era? I, for one, always think of steam trains, the Victoria & Albert Museum, Sherlock Holmes, Jack the Ripper, pea-soupers (thick London fog), public libraries, and Lewis Carroll’s Alice’s Adventures in Wonderland.

The Female Legacy Project is an ongoing exploration that spotlights women in culture through art exhibits, performances and unusual workshops.

The subject of erotica is vast. Even reduced to only the Victorian world of erotica, it’s a challenge to write about in the space of an article.

Works by Ana Mendieta, Derek Jarman, and P. Staff ask us to acknowledge loss — but also to see it as a way into altering the shape of our world.

The artist’s dreamy paintings and drawings transcend any specific culture, instead drawing on a perennial understanding of the sacred.

Fresh and challenging, Smith’s art sits on the cusp between eccentric abstraction and automated sci-fi figures, and contributes to Chicago’s dense art history.

A 26-portrait series of Joseph Roulin and his family, whom the painter befriended during his stay in Arles, is being shown together for the first time at the Museum of Fine Arts Boston.

This year’s edition of Art Paris was, as always, the place to be in springtime for modern and contemporary art. The fair closed its doors on Sunday 6 April having welcomed a record number of 86,975 visitors (compared to 69,575 in 2024, representing an increase of 25%).

For its 11th exhibition session, L’Appartement brings together James Barnor and Nico Krijno: two artists from the African continent with complementary visions, two countries, two generations, two ways of approaching reality through images.