Thousands of tourists are descending on Aix-en-Provence, France, with the aim of knowing the elusive painter better.

Mavis Pusey was a pioneer of Black abstraction before she was nearly forgotten. A new show in Philadelphia begins a journey of rediscovery.

Whitewall sat down with the artist to trace the emotional and creative journey behind An Infinite Spring Garden.

A sense of rhythm pulses through Music + Life, the major new retrospective of Dennis Morris’s work at The Photographers’ Gallery.

This October, Aperture will release Coreen Simpson: A Monograph, the first publication on the celebrated photographer and jewelry designer whose career spans more than five decades.

Beck Lowry’s sculptural paintings act as vessels. But what do they hold? Memory? Sensation? Labor? Five such pieces comprise “First Storm,” at Yossi Milo Gallery, the artist’s first New York solo show.

The Louisiana Art & Science Museum (LASM) is thrilled to announce its upcoming summer exhibition, Threads of Evolution: Engineering a Community That Sparkles, opening to the public on Saturday, July 19, in the museum’s Main 2 Gallery.

The Van Gogh Museum and Takii Europe have been partners for a decade and are proud to announce that they are extending their partnership by another three years.

The 12th SITE Santa Fe International is a mightily ambitious and daring beast. It extends far beyond the customary selection of “relevant” contemporary artworks in major international exhibitions.

The Museum of Contemporary Art (MOCA) announced several key leadership transitions to its Board of Trustees, effective July 1, 2025, reflecting the museum’s continued evolution, stewardship, and commitment to championing contemporary art and artists.

Two of Fulton County's premier legacy organizations, Hammonds House Museum and the National Black Arts Festival, partner to present Black Zeitgeist: Atlanta, the Visual Arts, and the National Black Arts Festival.

A woman lies her cat pressed against her cheek. A hand lifts a veil of sheer fabric to glimpse birds sitting in the branches of trees, or places vases of flowers onto a table.

Aurore Bagarry (1982) invites us to travel far away from the beaten track, far beyond the mere representation of the landscape.

The Kent State University Museum presents its summer exhibition titled “Sparkle: The Style and Jewelry of Aileen Mehle.”

Claire Oliver Gallery announces Jeffrey Henson Scales: House’s Barber Shop, a solo exhibition by the acclaimed photographer whose poetic and deeply humanistic images have shaped the visual language of Black life in America for over four decades.