A huge new exhibition at the Louis Vuitton Foundation is a late-career retrospective with a sense of new beginnings.

MASS Gallery, an artist-run experimental gallery in Austin, has partnered with the Cobertizo Artist Residency in Jilotepec, Mexico, to launch a binational residency program.

‘David Hockney 25’ is imbued with the same sense of freedom and play that defines the British artist’s earliest works.

A big anniversary looms, as you may have heard. The American Revolution started 250 years ago, on April 19, 1775, in Lexington and Concord. Cue the fifes and drums.

Heike Kabisch’s work explores themes of “vulnerability, transformation and the complexities of the human condition.”

Stepping into the world of Maro Gorky’s art feels like entering a landscape both deeply personal and profoundly universal.

A decade ago, Amy Sherald was still struggling to make her mark.

With works selected by Tiqui Atencio and Ago Demirdjian coming to Christie’s this May, renowned author and tastemaker Tiqui reflects on her journey in the art world and offers tips on finding artworks you will love.

Baltimore Clayworks is celebrating its 45th anniversary with three new exhibitions (all open through May 24).

Limbs, clothes, light reflected off of them, the tables and beds for sleeping and eating.

A new exhibition at Christie’s New York, John Chamberlain: Foil and Form, presents intimately scaled works by the celebrated American sculptor, including his sought-after aluminium Foils.

Tooling around genre conventions and their subversion, the German painter tables the class distinctions of taste – only to impishly disassemble any such codes.

Trees are having a moment. There was Richard Powers “The Overstory,” a slim novel where the point of view of a tree was as much a character as the human ones.

Among friends is the title of the 29th edition of miart which, this year, presented 179 galleries from 31 countries and 5 continents between April 4 and 6.

As a new exhibition of his work opens at Lisson Gallery, American artist Oliver Lee Jackson tells us about how his work was influenced by music and why Trump’s America conceals a deeper rot.