e-flux Film is pleased to present George Kuchar’s Vermin of the Vortex (1996) as the July 2025 edition of Staff Picks.

One of the most original and influential artists of the past three decades, Lisa Yuskavage (American b. 1962) creates works that affirm the integrity of her media (painting, drawing and printmaking) while challenging conventional art historical precedents.

Yancey Richardson is pleased to announce its representation of artist Karen Gunderson.

I first encountered Marie Tomanova’s work among the avalanche of orphaned images that characterized the early-2010s internet.

This year’s event, which took place on Tuesday, June 17, will be the first Spring Garden Party held at the Frick since the completion of its multi-year renovation and enhancement.

Rafael Canogar (b. 1935) is one of the leading Spanish artists of the post-war era.

Styrian artist Evelyn Plaschg is considered an outstanding painter of her young generation. Her work is now acknowledged in a solo exhibition at HALLE FÜR KUNST Steiermark.

After months of angst and uproar in the arts, the decision has finally been reconfirmed: Khaled Sabsabi and Michael Dagostino will represent Australia at the Venice Biennale in 2026.

Artwork and poems from contemporary artists and former Bethlem hospital patients to go on show.

“Freedom to be myself and express my own vision and style the way I feel it, is the most inspiring thing to me.”

Victoria Miro is presenting a special exhibition celebrating the extraordinary artists who have shaped the gallery since its founding in 1985.

The gallery is presenting Caleb Weiss + Luke Malaney, a two-man exhibition on view from June 20th to July 31st.

SANATORIUM presents Kerem Ozan Bayraktar’s solo exhibition Check Valve as the inaugural show of its new venue in Karaköy. The exhibition is on view from May 23 to July 12, 2025.

Gallery KIWA is presenting a major exhibition of works from Lee Myoungho’s celebrated photographic style.

Mul’s objects have organic qualities. They are like ephemeral entities, but ones aware of their figurative tendencies and their own artificiality.