This is a photo of my parents right after their deaths, in Assen, the Netherlands, on 1 May 2024. My father Klaas Roemers was 90, my mother Fenny Roemers-Visser was 86.

The late painter was known for his masterly reinterpretations of famous works but also his own, wide-ranging originals.

“Uncanny,” at the National Museum of Women in the Arts, mines the anxious terrain of flesh, robots and off-kilter realism.

Members of Poush have created 160 works, set in and around the grounds of Château La Coste – the art, architecture and wine estate in Provence.

Whitewall had the privilege of sitting down on opening night in Savannah with the artists Ken Gun Min and Samuel Ross to dive deep into their exhibitions, practice and ethos.

CENTER, the non-profit photography organization in Santa Fe, New Mexico, is thrilled to announce the opening of their new photographic exhibition and learning center in the Pacheco District of Santa Fe.

Goodman Gallery presents Trace, Tremor, Remnant and if we do not dream we cannot rest at their London and Cape Town spaces, respectively.

This marks the largest and most ambitious presentation of his work to date. The exhibition is curated by Neringa Bumblienė.

Xenia Lesniewski is a German-born, Vienna-based ultra-contemporary artist whose practice spans medias, roles, and spaces—at once an artist, a curator, a scenographer of the everyday.

“The world as you know it – where males aren’t devoured by plants, where tiny flowers serve as food and where a couple doesn’t need a spore to have a child – is new and still changing.”

The images in Yorgos Lanthimos’ first photography exhibition were captured while the filmmaker was shooting Kinds of Kindness (2024) and Poor Things (2023), but you wouldn’t be able to tell by looking at them.

Miami art gallery owner Leslie Roberts is accused of selling fake Andy Warhol works using forged authentication documents and invoices.

Aseries exploring themes of platonic intimacy and the power of touch by New England-based photographer Jillian Freyer (previously featured here).

Following the recent announcement of multidisciplinary artist Hong Hong as a 2025 Guggenheim Fellow.

Jordana Moore Saggese’s Heavyweight: Black Boxers and the Fight for Representation is a valuable contribution to art historical literature devoted to examining racialized violence in the United States and the role of visual images in promoting and maintaining this violence.