Amid the reopening of the transformed Sainsbury Wing and the rehang of the permanent collection last month, a mysterious 16th-century altarpiece depicting the Virgin and Child with Saints Louis and Margaret went on display.
J.M.W. Turner’s The Rising Squall, Hot Wells, from St Vincent’s Rock, Bristol – the artist’s first exhibited oil painting – has reappeared after vanishing into private hands in 1858.
“Absolut” is a new series of works through which Berger presents antithetical artistic positions to her standard practice where pure white, symbolising the institutional, is contrasted with lived-in hues and shades of white, proposing the colour as both material and discourse.
Perfectly exemplifying and merging design innovation and creativity, together with a more deeply spiritual enquiry, ‘URNA’ is an innovative project speculating on a radical future for the adoption of cremation in Malta.
On the occasion of the Gallery weekend, Berlin experiences one of its most flourishing times of the year for art shows, openings, performances and talks around the city.
Two galleries with a focus on abstract painting, a short walk from each other in downtown Manhattan, currently have exhibitions that share a vocabulary of basic geometric forms, directional brushwork, and an emphasis on color relationships.
From Carol Rhodes’s cool aerial views to the voyeuristic animal fantasy of Amanda Moström, our editors select shows to see during London Gallery Weekend.