LACMA’s current Pan-African exhibition of contemporary art, Imagining Black Diasporas: 21st-Century Art and Poetics, helps redefine what it means to invest not only in showcasing Black art from an ethical standpoint.
‘Grace of Desire’ is a rich visual survey aimed at highlighting works of queer women from the surrealist and avant-garde movements of the early 20th century to the present day.
Who Is Afraid of Ideology? (2017–ongoing) is the question posed by artist Marwa Arsanios’s eponymous cycle of five films, presented together for the first time at Fondazione Sandretto Re Rebaudengo in Turin, Italy, in the exhibition The Land Shall Not Be Owned.
Kelly Flanagan who goes by the artist name ArtworkByAalayah, paints with her whole being. A proud Wiradjuri woman, Aalayah was born and raised in South East Queensland, far from her ancestral Country, but never far in spirit.
Leonardo da Vinci’s ‘Salvator Mundi,’ a masterpiece that has captivated the art world for centuries, took a remarkable journey from obscurity to the limelight in the mid-2000s.
At Half Gallery, a quiet but ecstatic turbulence unfolded in Outside the possibility of worldly (May 8–June 3, 2025), Mannat Gandotra’s first solo exhibition in New York.
Don’t miss Jennifer Sakai’s Summer Quarters at Addison/Ripley Fine Art, David Myers’ Enduring Roots at Multiple Exposures Gallery, and Amy Schissel’s self-titled show at Hemphill Artworks.
Luhring Augustine presents Wish Maker, a two-venue solo exhibition by Salman Toor, marking his first major presentation in New York since his acclaimed 2020 show at the Whitney Museum of American Art.