The Paris institution has dedicated a major retrospective to the 87-year-old British painter.

Diana Nicholette Jeon‘s The Female Gaze has a new home here at Lenscratch and will become a monthly series later this year. It focuses on women photographers and their work as viewed from the gaze and heart of another woman photographer.

This double exhibition brings together the artistic approaches of Majd Abdel Hamid (*1988 in Damascus/SY, lives and works in Paris/FR and Beirut/LB) and Sofía Salazar Rosales (*1999 in Quito/EC, lives and works in Amsterdam/NL).

I wish to act in truth, making my confession both in my heart before you and in this book before the many who will read it.

“Illiminality: Compressed Spaces,” a two-person exhibition of work by Detroit artist Adnan Charara and artist, master printmaker and educator Zhongou Xu of China, opened on April 4 at Galerie Camille.

In Jean-Paul Sartre’s existentialist philosophy, memories are not seen as mere reflections of the past, but as elements that can influence and often constrain individual freedom.

With highlights from the Courtauld’s collection of German and Austrian modernist works on paper and some noteworthy loans, this is a must-see exhibition for anyone interested in early modernist expressionism and the graphic arts.

There’s a lot of sparkle to savour – and some sadness too – in this grand, wide-ranging exhibition at the King’s Gallery.

I had been looking forward to the National Gallery’s exhibition Siena: The Rise of Painting, 1300-1350 for several reasons.

M+, Hong Kong’s museum of visual culture located in West Kowloon, will no longer oversee the city’s exhibition at the 2026 Venice Biennale. Instead, the Hong Kong Museum of Art (HKMOA) will lead preparations for the presentation.

Gathered together by Khanyisile Mbongwa, the 28 practitioners in this multisite exhibition, 26 from across the Global South as well as two from the United States, are attuned to breathe in the tempo of African conceptions of nonlinear time.

All Day All Night at the Whitney offers a recalibration of our relationship with sound and language, and fights for those it excludes.

The artist’s works at Timothy Hawkinson Gallery, Los Angeles find something lyrical in the simple manipulation of space.

The government-appointed Hong Kong Arts Development Council has removed Hong Kong’s M+ contemporary art museum as the organizer of the city’s pavilion at the Sixty-First Venice Biennale, to take place May 9–November 22, 2026.

Iconoclastic critic, art historian, and photographer Max Kozloff, who served as Artforum’s executive editor in the 1970s before turning to his own artistic practice, died on April 6. He was ninety-one.