The easiest—and laziest—way to describe Raymond Saunders’s bewitching paintings, now surveyed in a small but potent retrospective at the Carnegie Museum of Art in Pittsburgh, might be to call them “Rauschenbergian.”

One of J.M.W. Turner’s earliest oil paintings will head to auction with an estimate of £200,000–£300,000.

Organized around Caravaggio's complicated biography, the works range from the classics to the rediscovered 'Ecce Homo' (1605-09), attributed to the artist in 2021.

From Will Cotton’s paintings and drawings of cowboys, unicorns, and mermaids in confectionery landscapes to the recreation of Diane Arbus’s seminal 1972 Museum of Modern Art retrospective.

In the summer of 1969, the scientist Edward Wortz began organizing the first National Symposium  on Habitability, at NASA’s bequest.

On a protected island, climate friendly works are presented without unnecessary doomsday rhetoric.

Everywhere All at Once: A Review of “David Hockney—Perspective Should Be Reversed” at Grand Rapids Art Museum.

An oil painting of a stormy Bristol landscape has been rediscovered as one of the earliest works of JMW Turner, created when the artist was 17 years old and lost to his canon for the past 150 years.

RMB Latitudes Art Fair, located at its Shepstone Gardens venue on Hope Road, has been making its way into the hearts and art calendars of Joburgers for the last three years.

Dakar presents the group exhibition Cour intérieure, bringing together the works of artists Elladj Lincy Deloumeaux, Rachel Marsil, and Kassou Seydou.

L’Atelier 21 announces the third solo exhibition of visual artist M’barek Bouhchichi.

Few artists working in contemporary Ukrainian photography balance emotional subtlety, cultural symbolism, and elemental clarity as deftly as Lora Arkhypenko.

Blake Pierre’s Primordial Spirit: Transcendence of Duality, on view at the Joan Hisaoka Healing Arts Gallery in Washington, D.C. through July 12, 2025, is a layered exploration of inner reconciliation, symbolic consciousness, and spiritual inquiry.

Brad Kahlhamer’s paintings, drawings, sculptures, and installations navigate lived experience, collective memory, and economic storytelling honed at the Topps Company of Red Hook, where he worked as an art director alongside Art Spiegelman in new product development.

From the vicious acoustics of match days to supernatural moments in a church, this year’s best pieces reflect the emotional bedrock of this roaring, soulful city.