A Texas lawmaker has proposed a bill that could be used to keep certain kinds of art off view, the Fort Worth Report reports.

“The role of art-making is to make people think and work in their own ways. If you are a thinking person, you can be yourself.”

Aby Warburg famously described art history as “ghost stories for grown-ups.”

Made in Space: Paintings from 1992-2001 by Herbert Creecy is on view at Johnson Lowe Gallery. Most of the paintings have never been exhibited before.

We’re at this critical razor’s edge, where we can either annihilate ourselves with our fear of technology or try to endure and prosper.

Though this is the first Kahlo exhibition in the history of the museum, only seven Kahlo works are featured among the 100 on display. Instead, the compact show offers a fascinating look at an all-but-unknown moment in art history.

A rare 1922 painting representing the height of the artist’s Neo-Plastic aesthetic will lead Leonard & Louise Riggio: Collected Works at Christie’s New York this May.

At Neuer Berliner Kunstverein, Berlin, an expansive group show highlights precarity as a permanent condition

Haitian-American artist Patrick Eugène‘s oil paintings straddle the line between abstract and figurative art.

Whether it be his 2008 Hope portrait of Barack Obama or the 1989 OBEY GIANT art campaign, artist Shepard Fairey has created some of the world’s most instantly recognizable visuals.

Sometimes, the greatest treasures are hidden in plain sight. This was the case for a family in France who had no idea they possessed a work by one of history’s most influential artists.

Istanbul-born, Santa Monica-based artist Reyhan Gulses Demircioglu brings human emotion to life through her striking large-scale oil paintings.

I was in Brazil this February, talking to a prominent arts leader about the Newcity Breakout Artists list and I mentioned that our list started with about 330 names.

The storied career of the sculptor of land and light will be on display in New York from next month.

Lam said the award will allow her exploration of the Cantonese diasporic experience and generational loss to continue.