After an opening mired in controversy, Paris Noir at Centre Pompidou is a wake-up call for French institutions.

LAUNCH Gallery and The National Tourism Board of Xicanoland present new drawings by celebrated Mexican-American artist Abel Alejandre.

Iva Lulashi’s paintings are sensual and disquieting. In ‘Wedding Invitation’ the nude shoulders and face of a young woman are hazily foregrounded, as though caught in a moment of movement, against a backdrop of cattle and off-kilter ceiling.

Adams and Ollman is presenting On a very quiet morning, on the same piece of toast, featuring new sculptural works composed of ceramic, wood, and metal by Japanese artists Noriko Kawana, Nao Kikuchi, and Hikari Ono.

Asya Geisberg Gallery opened “Traces”, Ricardo Gonzalez’s third show with the gallery. Coming on the heels of a two-museum retrospective in Querétaro and Oaxaca, Mexico, Gonzalez here presents a return to the nuanced minimal style of his first exhibition with the gallery.

Everyone knows The Girl with a Pearl Earring. She is the icon of European painting and considered one of the most famous female portraits – but is this really a portrait.

When one thinks of any Golden Age, the first thing that comes to mind is the 17th-century Netherlands at its glory – the Dutch Golden Age.

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Masterpiece discoveries are rare, so when one happens, it reaches the headlines.

Chiura Obata applied Japanese training and technique to picturesque California landscapes with stunning results.

The Night Watch painted by Rembrandt van Rijn is a monumental canvas displayed today in the “Gallery of Honour” of the Rijksmuseum in Amsterdam, Holland’s largest and most prominent museum.

Johannes Vermeer was a Dutch painter who lived and worked during the Dutch Golden Age. Along with Rembrandt and Frans Hals, he is considered one of the most important representatives of the Dutch Baroque.

On Friday, May 23, 2025, at 6pm, a solo exhibition by Rebecca Horn entitled Bodylandscape will open at Studio Trisorio, located at Riviera di Chiaia 215.

In Taewon Ahn’s first UK solo show at Project Native Informant, twenty-five individual works populate the exhibition space.

"I’m using the body as an entry point to speak to something absurd that can only be materialized through the visceral.”