Sonya Sklaroff’s journey into the world of art began in the most unassuming of ways—through a childhood marked by introversion, observation, and a boundless appetite for visual expression.

“Letting go of something so significant created space in my life — and that space was filled by something equally meaningful.”

Yinka Shonibare has been announced as one of the key contributors to the Queen Elizabeth II National Memorial in central London. His involvement marks a bold and also thoughtful addition to a landmark that aims to honour the late monarch’s legacy with depth and nuance.

Acollection of recent works by artist Serolod. Born in Greece, and currently based in London, Serolod explores the fluidity of perception, the interplay of colour and form, and the juxtaposition between contemporary and traditional mediums.

Henry Moore Institute in Leeds, hosting Beyond the Visual, hopes to challenge ‘ocularcentric bias’ in galleries.

For over a decade, John Knuth has created art using the regurgitation of flies and after he lost his home in the California wildfires, his work has a new perspective.

The exhibition READ in Basel, Switzerland, presents new works by Swiss artist Raphael Bottazzini. The exhibition, centered on Raphael Bottazzini’s “Expectation Paintings,” explores the interplay between names, identity, and perception.

An exhibition by Method (India) at Galerie Melike Bilir in Hamburg explores a gendered space.

Maria Emilov doesn’t separate life from art. For her, painting is a reflection of experience—sometimes subtle, sometimes intense, but always sincere.

This, remarkably enough, is Carolee Schneemann’s first solo exhibition in Los Angeles, six years after her passing.

Christine Sun Kim’s work leaves little room for misinterpretation. Clarity, for Kim, is a reality of survival. “American Sigh Language,” the artist’s recent solo exhibition at François Ghebaly, makes it clear:

In 2016, The Collins English Dictionary named “hygge” the runner-up word of the year.

This summer, the Institute of Contemporary Arts (ICA) in London will present “Connecting Thin Black Lines 1985 – 2025”, a major group exhibition.

From Sheila Hicks’s gemstone-like sculptures to Elizabeth Price’s video essay on modernist Catholic churches, 30 artists respond to the theme of this year’s Liverpool Biennial, ‘bedrock’.

Yuji Takeoka’s sculptures propose an extension, or renewal, of Marcel Duchamp’s logic: if art can be made by its placement on the gallery pedestal.