Drew Dodge’s first exhibition at Semiose “Earth Song” in 2024, was a jolt of gentle, unsettling and goofy strangeness. With his upcoming exhibition, the painter demonstrates that his universe, consistent to the point of obsession, is in a phase of continual development.

A painting of Venice by the Italian artist Canaletto which was once owned by the UK's first prime minister has been sold for a record fee.

A new generation of artists, collectors and educators is tapping into the country’s desire to create and experience art.

Plus, a tense landscape by Max Beckmann and nudes by Philip Pearlstein.

The Artist's Solo Exhibition at Towson University Proves Visibility is Beauty.

NANZUKA ART INSTITUTE to present JUJU’s Castle, a solo exhibition by French artist Jean Jullien.

At the Nicoletta Fiorucci Foundation, Venice, the artist and collaborators create a mesmerizing exhibition – part immersive Gesamtkunstwerk, part speculative archaeological site.

PKM Gallery in Seoul presents recent works by Suh through July 12.

Cheang is concerned with the ways technology enables commodification and control, from communication to nourishment to sex.

Ten minutes into my interview with Jeremy Deller, he tells me he is not interested in reading what I write about him.

Government arts council Creative Australia has reinstated Lebanese conceptual artist Khaled Sabsabi as Australia’s representative to the Sixty-First Venice Biennale and has restored Michael Dagostino to his role as curator of the Australian pavilion.

“Art is not what you see, but what you make others see.”

Yann Stéphane Bisso at In Extenso, Clermont-Ferrand.

In 2025, La Ferme du Buisson launches its exhibition season with “Tactical Specters”, a collective exhibition that conjures the spectral as a site of political urgency and historical entanglement.

“A garment, a pin, a seam, a shield” is an exhibition of work by Myriam Mihindou, Liz Magor, Joanna Piotrowska, Vivian Lynn, and Gray Wielebinski.