In one of the foundational texts of Taoism, Chinese philosopher Zhuang Zhou recalls a dream in which he was a butterfly, soaring through the sky with no recollection of his human form.

It takes a real knack for design to make something as hefty and industrial as steel and bricks appear weightless or even playful.

A giant mural has been painted on the side of a former bingo hall in Castleford.

The Metropolitan Museum of Art (Met) will reopen its Arts of Africa galleries on May 31, 2025, in the Michael C. Rockefeller Wing.

The Kimbell Art Museum acquired The Cut Melon by Jean Siméon Chardin.

I have always been struck by the quality of light in Ketuta Alexi-Meskhishvili’s photographs.

The inaugural edition of Vima was a great success, with over 4,000 visitors and brisk sales of artworks that ranged from €800 to €80,000.

Leilah Babirye’s solo exhibition Ekimyula Ekijjankunene (The Gorgeous Grotesque) at Galerie Max Hetzler, Berlin, showcases new sculptures and drawings at two gallery spaces.

Scenes from a Repatriation, a new play by the Singaporean playwright Joel Tan, gets a good deal of mileage out of what might seem like a niche subject: the restitution of contested objects.

Anya Gallaccio’s sculptures and installations encourage deep engagement with the natural world and its cycles of growth and decay.

Brendon Bell-Roberts catches up with Zak Ové at the Louvre in Adu Dhabi to discuss the early influences on his work, his retrospective exhibition at Centro Atlántico de Arte Moderno and some recent projects.

The future museum, adjacent to the famed Casa Azul, will be in a private residence acquired by Kahlo’s parents.

I am presently working towards a solo show Now is A Beginning at Bathurst Regional Art Gallery (BRAG) on Wiradyuri Country.

Everything you need to know about the most important headlines from the world of art in the last seven days

We managed to catch a bit of time with Thomas D Wright in the week his solo exhibition opens at Gallery 46.