“DEVIATIONS” is a group show of 12 artists, most of whom I know more or less intimately, and most of whom are trans or gay and/or hang out “downtown” (a word which here alludes to but does not in fact denote geography).

The group exhibition “Con lo zucchero in bocca” explores the relationship between resource extraction and sweetness. 

The Sultanate of Oman marks its debut at the 19th International Architecture Exhibition of La Biennale di Venezia with Traces, curated by Omani architect Majeda Alhinai.

Notes on Friendship: Breaking Bread explores friendship as a dynamic space for dialogue, critique, and support.

In ètô y’a Nda-bot: Intimate Interiors Salomon Moneyang offers a luminous and layered exploration of home, not as fixed geography, but as a shifting interior terrain shaped by memory, inheritance, and return.

The Museum of Fine Arts, Houston (MFAH) is presenting the exhibition “Picturing Nature: The Stuart Collection of 18th- and 19th-Century British Landscapes and Beyond.”

This year the Farnsworth Art Museum (Rockland, Maine) has mounted three exhibitions devoted to gifted female artists of different generations.

The traffic adventitiously jams; the honks drone to become white noise; the atmosphere cumulatively clusters; the particles choke to become miasma.

Brisbane artist Julie Fragar broke down crying upon hearing she had won Australia's leading prize for portraiture.

Themes and Variations, an exhibit of Cecily Brown paintings spans the artist’s career seamlessly from early (1990s) to her most recent works.

A retrospective at the Brooklyn Museum introduces the photographer to a new generation—and reestablishes her place in the canon of modern American art.

In Bangladesh, Sarker Protick combines the impulses of a photojournalist with the intuition of a musician, unpacking questions about photography’s relationship to time and memory.

Birmingham Museums Trust launches ‘The Elephant in the Room’ gallery examining how global artefacts entered city collections and addressing complex colonial histories.

A decade ago, Fisher created the Big Fruit mural visible from the Howard Street station, and a new mural — a facade on a facade — can be seen on the Blue Line.

For the exhibition resonance of absence, basis e. v. is presenting the vibrant, engaging and personal works of the sudanese artist Amna Elhassan in a wide-ranging institutional solo exhibition concentrating on the years 2021–2025.