There is one word that has revolutionized modern painting more than any academic theory: sunlight.

Whether in the UK or Ghana, the British photographer immerses herself in communities, and her images are infused with a spirit of collaboration.

Read our pick of the best New York art exhibitions to see in July from group show 'Heatwave' at Edwynn Houk Gallery to a Moomin takeover at Brooklyn Public Library.

Trois Crayons, a platform for drawing, is organising the selling show of works from the past 500 years.

The ethereal figures of Greek artist Georgia Theologou immediately challenge the viewer with their direct and unrelenting gaze.

Ever wondered what other people are buying for their personal art collections? Though your tastes may differ, seeing what others are purchasing can help you discover new artists whose works you might not otherwise have considered.

As much as she loves working with new media, Bengaluru-based artist, Bharati Sagar, is happy to return to her water colours, dry pastels, charcoal and oil to capture her heart’s delight — Nature and people.

In the first of a short series exploring Munich’s past, Abigail Leali contemplates art’s role in shaping cultural identity before and after difficult historical legacies

The current exhibition, “Franz Kline,” features fifteen memorable paintings from 1950 to 1960, along with a selection of works on paper.

It is extremely rare to hear Warhol in the same sentence as sculpture; the one exception being his famed Brillo Boxes (1964), but these feel more like three-dimensional extensions of his Pop Art pursuits rather than pure sculpture.

This week we are celebrating the artistry of five unique artists exploring the frontiers of cyanotype.

The first of its kind, this vast show is a stunning tour of the realism movement of the 1920s and 30s, bringing together artists from across Europe.

I needed to write about Michele Abramowitz to understand the uncanny allure of her paintings, now on view at Kate Werble Gallery.

Editor’s note: Joel Shapiro died June 14, at age 83. In the final weeks of the sculptor’s life, Max Norman interviewed him for a career-spanning profile.

Monstrous Beauty at the Met proposes a link between Europeans’ attitudes towards Chinoiserie and their fetishisation of the East Asian female body.