“Queer Lens: A History of Photography” is a sprawling survey of more than 270 works from the last two centuries that looks at the ways cameras transformed the expression of gender and sexuality.

In a bruising showdown at the Royal Academy, Anselm Kiefer, the alpha-male of modern art, makes his Dutch hero look positively weedy.

“Stochastic Drift,” at Studio In Factory includes 26 artists, many of them alumni of SVA and Pratt’s MFA Fine Arts programs, engage with the questions of what contemporary art should or could be.

In Zuzanna Romańska’s art, the act of creation is both a personal impulse and a deeply cultural ritual.

At REDCAT, Los Angeles, the artist parses the relationship between the US military and Hollywood in an effort to understand her father.

Wellcome Collection presents Thirst: In Search of Freshwater, a free major exhibition exploring humanity’s vital connection with freshwater as an essential source of life and a pillar of good health for both living beings and land masses.

Acclaimed Manchester artist Michael Browne is bringing his distinctive blend of politics, history, religion.

The photographer’s new exhibition, We Dance in Mysteries: The Isaac Mizrahi Photographs, takes us behind the scenes of a fashion house in 1990s downtown Manhattan.

The British-Nigerian artist Shonibare is part of the team behind the project, led by Foster + Partners.

Despite bold ambitions, ‘Green X Gold’ struggles to move past tired tropes of tropicality, raising questions about who Caribbean art is really for.

The acquisition comes as the museum’s photography department prepares to celebrate its 25th anniversary.

In 1985, a groundbreaking show curated by Lubaina Himid tore down barriers – and appalled critics. As a new exhibition revisits that pivotal moment, the artists remember the prejudice they faced – and what they have achieved since.

The late Queen Elizabeth II and Prince Philip, the Duke of Edinburgh, will be united in stone and light in Lord Norman Foster’s winning design for a national memorial in St James’s Park.

With a regulated market and institutional support, interest in indigenous Australian art is on the rise globally. Dealer D’Lan Davidson has been at the center of the shift.

Three compelling exhibitions shine a spotlight on female photographers from past generations, inviting a fresh look at their pioneering visions, their transformative work and the history of the medium.