The Moomins are making their U.S. debut in a new exhibition in New York.

With the World Expo currently underway, global attention is once again on Osaka.

The FBI recently recovered two paintings stolen four decades ago from the University of New Mexico’s Harwood Museum of Art in Taos.

The South London-based artist is an avid drawer of everything that comes into his day to day frames, turning to colour as his tool to transform the mundane.

Paul Pfeiffer’s current exhibit at the MCA is the finale in a trifecta of video exhibitions held by the institution, succeeding knockout shows by Mona Hatoum and Arthur Jafa.

One night in June 1978, while Robert Stoddard was peacefully sleeping, thieves were sneaking through his 36-acre Worcester estate.

Roswell, New Mexico, is burdened by what I call the “little-big” problem: it’s rural enough that you can go days without seeing a familiar face, yet large enough to have traffic on the weekends — not to mention the whole alien thing.

As her searing new show opens at Hannah Barry Gallery in Peckham, the artist speaks on her teen years and a lesser-sung second coming of age in your 30s.

As speculative buying cools, ahead of Art Basel, collectors are turning their attention to the tried and tested names in Postwar art.

Liverpool’s cultural landscape is set for a dramatic change as Tate secures £12 million in government funding alongside major private donations for its landmark redevelopment.

Infrastructure is big ideas. It underpins the global circulation of objects, ideas, information and people.

Mazzoleni returns to Art Basel in both Galleries and Unlimited Sectors.

Last month, Ibrahim Mahama wrapped Kunsthalle Bern in jute used for transporting cocoa beans: a prominent public gesture recognizing the role of Switzerland in colonial economies and the desire of the Kunsthalle to reckon with realities of past, present and future.

ArtScience Museum is delighted to announce  Artland  by  Do Ho Suh and Children, a groundbreaking, collaborative exhibition that transforms the museum’s ArtScience Laboratory into a dynamic hub of imagination and material experimentation.

For Japanese marine photographer Ryo Minemizu, some of the world’s tiniest creatures prove to be the most awe-inspiring.