Enari Gallery is happy to present After Dark, a solo exhibition by Madison Skriver. Her new series explores the tension between nostalgia and reality, drawing inspiration from mid-century American culture and cinematic storytelling.

Cerith Wyn Evans has created a time-based installation that transforms Centre Pompidou-Metz into a vessel for experiencing “borrowed lights” across a series of vibrant material encounters.

The first major comparative exhibition of its kind has just opened in Singapore that gives a new understanding of Parisian art history by focusing on the role played by Asian artists.

A powerful posthumous survey captures both the artist's poetic vision and his enduring belief in the power of accessible cultural spaces.

On show are personal items, as well as art and jewellery, belonging to King Edward and Queen Alexandra, many on view for the first time.

Printmaking duo Zorawar Sidhu and Rob Swainston’s exhibition Flash Point intermingles three new bodies of work addressing current political and environmental crises.

Tim Stoner’s highly wrought new paintings combine immediacy and distance.

Taryn Simon is a didactic artist. In all her work, as photographer, performance artist, or sculptor, she seeks to inform viewers about their world.

Empty Rooms might in fact be empty, but blue remains in the timeless loop of the video, the accompanying music of Jason Moran, and the aching absence that fills the room.

The painter whose portrait of Donald Trump was removed from the Colorado state Capitol after the US president branded it “truly the worst” says the criticism has put her four-decade art career at risk.

Art market experts believe fairs might need a radical rethink in order to remain viable.

London gallery’s competition marks 200th anniversary and opening of Sainsbury Wing after two-year overhaul.

Artist associated with the Californian Light and Space movement whose resin sculptures drew on his training as an engineer.

My dad, Simon Brett, who has died aged 81, was a leading wood engraver, prolific writer, curator, teacher and champion of other artists. His Wood Engraving – How to Do It (1994) remains the classic manual.

His unmistakable floral patterns – awash with willow, blackthorn and pimpernel – are now on everything from walking sticks to the seats submariners sit on. We go behind the scenes of a dazzling new show.