Back in Europe during the 16th and 17th centuries, animals conjured a remarkable sense of wonder. It was an era of unprecedented exploration, where scientific technology, trade, and colonial expansion led to the study of previously unknown or overlooked species.

Monument Eternal at Los Angeles’s Hammer Museum showcases the life, music and writing of the groundbreaking artist also known as Turiya.

Daidō Moriyama. Eikoh Hosoe. Hiroshi Sugimoto. These are just a few of the Japanese photographers that have achieved world renown.

“Yes, you’re changing. But the best parts of you are still here.” – Amina Cain, Indelicacy (Farrar, Straus & Giroux, 2020).

Through this reflection, Milan Kundera sheds light on his disillusioned view of both individual and collective history, where justice, whether in the form of vengeance or forgiveness, gives way to the erosion of memory.

Surrealism through Its Journals reminds us that the movement began with, and cannot be understood without, the written word.

Arthur Russell and Julius Eastman’s influence is felt in the echoes between the present and the past, the dead and the living, and, most prominently, each other.

As an art history nerd, Morgan Barrie’s Captivity images from Myth of the Flat World have been stuck in my mind since I saw them.

The exhibition spans six decades of her multidisciplinary practice, bringing together a selection of films, sculptures, and sound, as well as rarely seen ephemera that sheds light on their production.

‘Camouflage’ by Ai Weiwei will launch the inaugural Art X Freedom project in September 2025, a new programme to investigate social justice and freedom.

Anna Tozzi, known in the art world as ATo’, has forged a distinctive artistic path that intertwines material exploration with deep emotional expression.

Chris Klein’s artistic path has been anything but conventional. While he always identified as an artist, for much of his early life, painting remained more of a passion than a profession.

Yancey Richardson presents Sawubona, an exhibition bringing together work from five different series made between 2002–2013 by South African visual artist and activist Zanele Muholi.

All That Remains spotlights mostly non-White artists who open up new vistas in how we might relate to color.

Elaborately patterned kimonos are frequently displayed in museums as works of art, but we don’t often get to see the hand-cut stencils that created those fabrics’ mesmerizing motifs.