A number of cultural figures decried the actions of the demonstrators, who graffitied and smashed the glass facade of the Museo Universitario Arte Contemporáneo.

The New York Historical has acquired the archive of longtime New York Times fashion photographer Bill Cunningham.

Raymond Saunders, whose coruscant mixed-media assemblages drew from a variety of movements but stood apart from all of them with their burning sociopolitical undertones, died of pneumonia on July 19 in Oakland, California.

Emilie Duval: Landscapes of Digital Existences at Andrew Durham Gallery, Houston. Dates: June 21 – August 9, 2025.

When we think about collecting art, we often imagine a painting hanging on a wall. Rarely do we consider design — chairs, tables, objects we use every day — as part of that conversation.

The Contemporary Austin has announced the launch of comprehensive accessibility initiatives at both of its museum locations, the Jones Center downtown and Laguna Gloria.

Declarations of Freedom, presented by the National Juneteenth Museum at Fort Works Art, Fort Worth. Dates: June 12 – July 19, 2025.

Gagosian has announced the US exhibition debut of Running Arcs (For John Cage) (1992), a large-scale sculpture by Richard Serra (1938–2024).

Overlap strips away everything you think you know about looking at things. No names. No categories. No expert opinions telling you what to think. Just you, the object, and your raw reaction.

Hauser & Wirth is expanding its West Coast foothold with a new gallery in Palo Alto, California, set to open in spring 2026.

It fails to directly address the German state’s repression of pro-Palestine expression, even as many of its works model “safer” forms of resistance.

Paloma Proudfoot has cultivated a personal anatomy, using ceramics to materialize a proound, corporeal and philosophical investigation into the body’s existential essence—situated between inner and outer worlds, individuality and collectivity.

Beyond the Photograph is a Lenscratch Magazine monthly series dedicated to helping photographers grow their artistic practices beyond the camera.

“The Geopolitics of Infrastructure” highlights how contemporary artists respond to the urgent realities of a globalised world, where infrastructure is no longer merely a technical concern but increasingly functions as a political weapon—yet also as a site for imagination and...

The simple, minimalist forms of a pictogram are uniquely Japanese, as new exhibition 'Pictograms: Iconic Japanese Designs' illustrates.