Glinting Light: An Exploration of Luo Bonian's Photography, an ongoing exhibition at the Three Shadows Photography Art Centre in Beijing, marks the first solo exhibition in China for Luo Bonian (1911-2002), a prominent photographer from the Republic of China era (1911-49).

A revelatory show in San Marino puts Don Bachardy’s prolific portrait drawings into a welcome new light.

At its Box and Cabane spaces at City SALTS, Kunstverein Salts in Birsfelden (Basel, Switzerland) presents a solo exhibition by the artist Pilar Quinteros.

The J. Paul Getty Museum has acquired Christ Carrying the Cross, a 16th-century painting by Spanish Renaissance painter Luis de Morales (1509-1586).

Claude Monet’s Peupliers au bord de l’Epte, crépuscule is a leading highlight of the 20th Century Evening Sale taking place in New York during the Spring Marquee Week (estimate: $30 million – 50 million).

The Photo of the Year winner for 2025 is a photo by Doha based Palestinian photographer Samar Abu Elouf, taken for The New York Times, of a young boy - Mahmoud Ajjour - severely injured while fleeing an Israeli attack in Gaza.

Both paintings depict the island through the lens of the British Empire, with one showing the signing of a treaty and the other a representation of Indigenous life.

The Instituto Cervantes of the city of São Paulo, in coordination with the Contemporary Art Museum of the Americas in Kendall, Miami, presents the Cuban art exhibition Cruzando la brecha: arte cubano de las dos orillas (Crossing the Gap: Cuban Art from Both Shores).

“The Endless Spiral: Betsabeé Romero,” is an evocative and immersive exhibition premiering in the United States after its debut as an official Collateral Event of the 60th International Art Exhibition – La Biennale di Venezia in 2024.

Chilean artist Sandra Vásquez de la Horra presents her first solo exhibition in Argentina, Los volcanes despiertos (The Awakened Volcanoes), now on view at the Museo de Arte Latinoamericano de Buenos Aires (Malba).

Joshua Woolford talks about A Short Account of the Destruction of the Indies, a book chronicling the atrocities happening in the Caribbean in the 16th century.

A Transcore of the Radical Imaginatory by Ethiopian American artist Julie Mehretu reverberates with the complexities of the present and the recent past.

As a prelude to the 7th Berliner Herbstsalon ‘RE-IMAGINE!,’ Berlin’s Maxim Gorki Theater presents a festival titled ‘100 + 10 – Armenian Allegories.’

The Stedelijk Museum’s large staircase is grand—it immediately lends the museum a sense of majesty.

Drawing from pioneering art spaces in the Middle East, the African continent, as well as West and South Asia, each exhibition—and a comprehensive program—is placed in dialogue with Dubai’s vivacious art and cultural landscape.