There are artists who create with precision, and there are those who create from necessity—Liz Murphy does both.

MoMA PS1’s group exhibition, The Gatherers, hosts a blink-and-you-will-miss-it work – a tiny gold nail banged into a white wall, titled Nail (2025).

Nick Brandt presents a new photography book to be published by Skira Editore with a launch at his new solo exhibition at Hangar Art Center in September.

The painterly splendour of Kubrick’s film is widely recognised, but its relationship with 18th-century art is thornier than it seems.

While working in his studio in Berlin, the German painter spends hours staring at the wall, listening to reggae and beholding his gogotte.

When Tina Knowles needed a portrait for her memoir Matriarch, she didn’t look to Hollywood or Harlem.

Mario Miron at D. D. D. D., New York.

A rectangular structure is laid out on the floor of the Kunsthalle Arbon. Its shape is reminiscent of an archaeological excavation site, a labyrinth or the floor plan of a house.

The wall text for “Don Bachardy: A Life in Portraits”—an exhibition at The Huntington featuring over 100 drawings and paintings—asserts that Bachardy persisted in creating portraits during a time when art was more experimental and less representational.

For the first time on British soil, Caravaggio’s Victorious Cupid (1601-02) prepares to unsettle London audiences this November.

Now in its fourth decade, the British Art Fair returns this autumn as both a marketplace and a living archive.

The National Gallery of Ireland throws open the doors to Picasso’s private creative realms this autumn, presenting sixty works that chart the artist’s reinvention across studios from Montmartre to Mougins.

Gustav Klimt is celebrated for his sparkling canvases where gold sublimates sensuality and mystery.

BmoreArt News: Baltimore Artists in DC, Upcoming Exhibitions, Recent Acquisitions.

From the quirky to the uncanny, Julie Hrudová (previously) has a knack for scouting out coincidental moments that make you look twice.