The Neue Nationalgalerie is presenting Brazilian artist Lygia Clark’s (1920–1988) first retrospective in Germany.

Founded in 1600 as a trading enterprise, the English East India company gradually transformed into a colonial power.

Into the world of contemporary video art, Jasmina Cibic stands out as a formidable force.

A Conversation in Form: The Unscripted Evolution of an Artist

One of the greatest joys of graphic art is illusion. It is of particular importance, as—unlike painting, it works primarily with line.

Coalescence: Happenstance With All Due Intent (phase 2)

Take off your shoes but keep your socks on before stepping onto the carpet and moving towards the coffins. You are about to enter a simulated sacred space.

Edel Assanti to present Vienna-based artist Simon Lehner’s first UK solo exhibition, Of Peasants & Basterds.

The soft rustle of silky cloth and the hard crackling of burning wood echo against the yellow-papered walls of the boudoir.

Visual storytellers Anna and Jordan Rathkopf didn’t set out to make a book, an exhibition, or a lecture series.

The 18th-century British painter William Hogarth created an insightful series of paintings about the arranged marriages of his times, entitled Marriage A-la-Mode.

Diana and Actaeon by Jean-François de Troy is a French masterpiece blending the exuberance of Rococo sensuality with the intellectualism of classical mythology.

François Boucher (1703–1770) was the most celebrated French painter of the 18th century. His painting Madame de Pompadour captures the beautiful mistress of King Louis XV.

“It seems to me an image of hope,” said the new pontiff in an inaugural address attended by around 40,000 people.

The androgynous adolescents in Gu’s paintings are people who have interior lives but are not always sure which way to go.