In the summer of 1969, the scientist Edward Wortz began organizing the first National Symposium  on Habitability, at NASA’s bequest.

Everywhere All at Once: A Review of “David Hockney—Perspective Should Be Reversed” at Grand Rapids Art Museum.

Toyin Ojih Odutola (born in Nigeria and based in New York) is an artist who creates multimedia drawings that reinterpret traditional portraiture.

Pace’s inaugural exhibition at its new Berlin Schöneberg space, Reverse Alchemy: Dubuffet, Basquiat, Nava, opened May 2, 2025, coinciding with Gallery Weekend Berlin.

“An act of joy and resistance.” This is how Natalie Kane, Curator of Digital Design at V&A, describes Design and Disability, the museum’s latest show.

The British painters Edward Burra and Ithell Colquhoun were almost exact contemporaries, but not often mentioned in the same breath.

Pure pleasure abounds in Rachel Ruysch’s paintings on view at the Toledo Museum of Art—the first major exhibition dedicated to this extraordinary artist, organized with the Alte Pinakothek in Munich and traveling next to the MFA Boston.

As it prepares to close for the next five years while renovations are carried out.

The only painter to have exhibited at all eight of the Impressionist exhibitions in Paris, Camille Pissarro left a mark not only on the Impressionists but also on the leading post-Impressionists – Cézanne, Gauguin, Van Gogh and Seurat.

The fair returns to COEX with a vibrant line-up of global galleries, citywide programming, emerging talent and pioneers from across art history

The centre is the next stage of PhotoIreland’s research, carried out since 2017, towards the development of a forward-looking museum.

Peter Carney can paint, and beautifully! Carney grew up in Utah; played in a punk band in high school; was given free paints by a friend after high school that led to his interest in painting; and has a background working back of house in restaurants.

Blake Pierre’s Primordial Spirit: Transcendence of Duality, on view at the Joan Hisaoka Healing Arts Gallery in Washington, D.C. through July 12, 2025, is a layered exploration of inner reconciliation, symbolic consciousness, and spiritual inquiry.

Brad Kahlhamer’s paintings, drawings, sculptures, and installations navigate lived experience, collective memory, and economic storytelling honed at the Topps Company of Red Hook, where he worked as an art director alongside Art Spiegelman in new product development.

From the vicious acoustics of match days to supernatural moments in a church, this year’s best pieces reflect the emotional bedrock of this roaring, soulful city.