"I answered him yes because I have the confidence in that readiness and knowing that you can`t blink, you have to be wired in a way of being so

In our current art-fair-crazy moment, it is quite difficult to imagine a situation of antagonistic ideologies such as that posed by the Jewish

I`ve been selling art long enough now to have noticed an interesting shift in approach among certain collectors, people who are extremely smart and

What happens when a sculptor and a professor of literature get together to make art? If they’re Jimbo Blachly and Lytle Shaw, the result is something

There are two practices I advocate for how artists should protect themselves in the market. The first is geared toward protecting yourself should

Yevgeniy Fiks, whose current exhibition in our gallery has garnered some significant attention, including an artforum.com Critics` Pick by Colby

Every three years, curators at the Yerba Buena Center for the Arts comb through the region’s galleries, artist spaces, and studios to put together a

In October 2006 Gallery Space Recall, an exhibition by awardwinning British artist Simon Pope sparked widespread disputes. It was not the reported

Art Taipei 2008, following the successful one held the preceding year, will feature 111 art galleries, 49 of them foreign galleries from the U.S.A.,

The goal keeper’s leap is fantastic, with sheer joy emanating from every gesture in her body, her face rapturous. The goal keeper’s goal, the ball

Ten years ago the late, great Pat Hearn teamed up with Matthew Marks for the brazenly titled Painting Now and Forever, Part I. Billed as a “highly

I never knew Bruce Conner. But I did know a guy named Bruce who hung out at the Mabuhay Gardens in North Beach in 1978, taking pictures. I’d just

This July, while spending the summer in New York City, New York Magazine art critic Jerry Saltz paid a visit to Rail Consulting Editor Irving

The first place the eye lingers in Chris Domenick’s pair of drawings, "Tiger Roses" and "Postcard from Isthmus", is the floating, sideways bouquet of

In a recent review of “How Soon Is Now?”—the 28th annual exhibition for the Bronx Museum’s Artist in the Marketplace (AIM) program for emerging