Women’s art often has an obsessive quality.

Artist Debra Bernier of Shaping Spirit can see faces in the most unlikely of places. Within pieces of driftwood, sun-bleached bones, and shells, she envisions figures and brings them to life using found natural materials.

Sydney Contemporary has unveiled details of the fair’s ninth edition, which will include the first instalment of Photo Sydney, a section solely dedicated to photography that was formed in response to collector demand for wider representation of the medium.

The practice of Francesco Jodice (Naples, 1967) moves in deep connection with the surrounding context and along the boundaries of visual arts and socio-anthropological investigations.

It’s a little after 10pm on a Saturday night and I’m standing in half a foot of water at the bottom of a medieval cistern in Coimbra in Portugal.

Once she began feeling restricted by the confines of her studio, Mul Gil Kim hatched a rather ambitious plan: embarking upon a worldwide journey all by herself.

Jo Levine, Judy Bonderman, Beverly Logan, and Suliman Abdullah bring unique and interesting photography—and photography-adjacent art—to the Dupont gallery.

On Sunday, Beijing wrapped up the inaugural “Beijing Art Season,” consisting of the long-running Gallery Weekend Beijing (GWBJ), as well as two local art fairs— Beijing Dangdai and Art021 Beijing.

From the moment you step into Walk the House, you become immediately aware that you are in the presence of something tender, obsessive, and quietly radical.

As speculative buying cools, ahead of Art Basel, collectors are turning their attention to the tried and tested names in Postwar art.

Liverpool’s cultural landscape is set for a dramatic change as Tate secures £12 million in government funding alongside major private donations for its landmark redevelopment.

Infrastructure is big ideas. It underpins the global circulation of objects, ideas, information and people.

Mazzoleni returns to Art Basel in both Galleries and Unlimited Sectors.

Last month, Ibrahim Mahama wrapped Kunsthalle Bern in jute used for transporting cocoa beans: a prominent public gesture recognizing the role of Switzerland in colonial economies and the desire of the Kunsthalle to reckon with realities of past, present and future.

ArtScience Museum is delighted to announce  Artland  by  Do Ho Suh and Children, a groundbreaking, collaborative exhibition that transforms the museum’s ArtScience Laboratory into a dynamic hub of imagination and material experimentation.