In actuarial science, risk collapses two temporal dimensions—the present and a time yet to come.

Entering ‘Liquid Mantras,’ Patricia Domínguez’s solo exhibition at Kunstverein Arnsberg, visitors first encounter an exhibition-within-the-exhibition.

It seems fitting that Künstlerhaus Bethanien’s large glass facade opens up into Krys Huba’s exhibition ‘All of the records; tell me, bee Becoming B – Chapter 2’: an insight into a person, put on display.

The Sainsbury Centre presents Roots of Resilience: Tesfaye Urgessa.

The Soloviev Foundation Gallery announces Between Distance and Desire: African Diasporic Perspectives, curated by Tumelo Mosaka and opening May 1, 2025.

Inspired by themes of sacrifice, martyrdom, and rage, the art of Artemisia Gentileschi and Getty’s exhibition Artemisia’s Strong Women: Rescuing a Masterpiece reveal that strength can also look like survival and the reversal of stereotypical gender roles.

A giant orange mole has popped up on the otherwise manicured lawns of a National Trust property in the Peak District.

There are several good reasons an artist might want to become a therapist. One is that the practices involve many of the same skills: soul-searching, analyzing, and embracing complexities of life that cannot be easily resolved.

Post-Impressionist Vincent van Gogh is as famous for his mysterious death as for his iconic and expressive use of line and color.

421 Arts Campus, Abu Dhabi’s independent arts space dedicated to supporting emerging creative practices, presents Ana Escobar Saavedra: It Starts Where It Ends, on view until September 7.

Henri de Toulouse-Lautrec was born on 24 November 1864 in Albi, France. He wanted to be a doctor or a surgeon but due to illness became a painter.

The Akron Art Museum is presenting She Said, She Said: Contemporary Women Artists, a dynamic new exhibition that runs in the Karl and Bertl Arnstein Galleries through Sunday, August 10.

The exhibition Mindset presents new works by Austrian artist Erwin Wurm. Physicality and the process of absorption are central themes in Wurm’s sculptural practice, as is the relationship between self-image, identity and social norms.

As above, so below—every vision of heaven is mirrored by a depiction of hell.

Author of a vast and diverse body of work spanning five and a half decades, Edward Weston (1886-1958).