The artist’s survey at Museo de Arte Contemporáneo de Monterrey, Mexico, demonstrates his commitment to liberatory notions of nationhood, kinship and art itself.

Inspired by themes of sacrifice, martyrdom, and rage, the art of Artemisia Gentileschi and Getty’s exhibition Artemisia’s Strong Women: Rescuing a Masterpiece reveal that strength can also look like survival and the reversal of stereotypical gender roles.

In Berlin, a highly interactive retrospective makes palpable the late Brazilian artist’s turn to touch as the occasion for psychic awakening.

A giant orange mole has popped up on the otherwise manicured lawns of a National Trust property in the Peak District.

In February, nine curators received handwritten letters from the artist Betye Saar, who tomorrow turns 99.

Entering Memory in Motion, an exhibition featuring the work of brothers Jack Hein and Jason Thing, there is stillness in the air that makes one instantly pause and absorb their surroundings, similar to the feeling of entering a religious space.

Texas art institutions in Dallas, Fort Worth, and Wimberley have announced new hires and new board members.

There are several good reasons an artist might want to become a therapist. One is that the practices involve many of the same skills: soul-searching, analyzing, and embracing complexities of life that cannot be easily resolved.

It took Horace Pippin 43 years to complete his first oil painting. Why so long? Because poverty, hard physical work, war, and disabilities got in his way.

Post-Impressionist Vincent van Gogh is as famous for his mysterious death as for his iconic and expressive use of line and color.

Leonardo da Vinci’s ‘Salvator Mundi,’ a masterpiece that has captivated the art world for centuries, took a remarkable journey from obscurity to the limelight in the mid-2000s.

Vincent van Gogh, the enigmatic Dutch post-impressionist painter, is revered for his emotive works that capture the essence of human experience and the beauty found in the ordinary.

Reza Abbasi (Riza yi-Abbasi or Reza-e Abbasi) was born in 1565 and was an important miniaturist, calligrapher, and painter. His work is categorized by the period known as Safavid, a time when the Shiite dynasty of the same name dominated Persia (between 1501 and 1736). 

But what if the parquet is so worn out that it can no longer be sanded? What if it has swelled due to bad foundations, inexpensive construction, and moisture?

421 Arts Campus, Abu Dhabi’s independent arts space dedicated to supporting emerging creative practices, presents Ana Escobar Saavedra: It Starts Where It Ends, on view until September 7.