Maria Gvardeitseva, born in 1982 in Minsk, Belarus, residing and working in London, the United Kingdom, brings the political into the personal and the personal into the political with a kind of unapologetic intimacy that sticks with you.
Pace announced its presentation for the 2025 edition of Frieze New York. Curated by Adam Pendleton, the gallery's booth will feature six of his recent paintings alongside six new and recent sculptures by Lynda Benglis.
The Stephen DiRado show at the Fitchburg Art Museum is generous in both senses of the word. Large in size and warm in spirit, it’s as much appreciation as retrospective. That’s OK. There’s a lot to appreciate.
A few weeks ago, we shared and attending the opening of Neon Dust, a group show featuring new works from Chino Amobi, Jebila Okongwu, Juan Cuéllar Costa and Lim Kaye at GR Gallery on Bowery in New York.
MOBA, or the Museum of Bad Art, is replete with almost anything that could be wished for in terms of the good, the bad, the very bad, the hilarious, and of course the ugly.
Ukrainian documentary photographer Oleksandr Rupeta has spent much of his time photographing social anthropology and social conflicts around the world. Since Russia invaded Ukraine, he has focused on the war there.
The museum will be the only US venue for the exhibition, which brings together more than 200 objects including participatory installations and performance documentation.
As Republicans and the Trump administration target DEI initiatives and queer and trans communities, vocal leaders at a few institutions are standing firm.
Both auctions represent significant decreases from previous sales seasons, but strong sell-through rates and increased bidding from mainland China indicate signs of recovery.
David Nott’s artistic journey is a testament to his deep appreciation for precision and detail. Initially drawn to monochrome dotwork, he immersed himself in a meticulous practice that required thousands of carefully placed dots to construct intricate images.